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Produced by Toho as a “recall that” to the dreadful American remake from 1998, I notion this Godzilla movie was really gargantuan! I also found it considerable better than the bloated Series 2 (1984-1995) films, and to be as fun as any of the Series 1 (1954-1975) films! The legend was spellbinding, the characters were likeable (and thankfully fewer characters, unlike the Byzantine Series 2 characters), the special effects are impressive (almost to the level of the unusual Gamera movies, and it even uses some CGI!), there was actually more hardcore monster action (as opposed to the in-your-face laser light shows of the unusual films), Takayuki Hattori’s music was well done for a non-Akira Ifukube accept, and the movie doesn’t retract itself too seriously! Godzilla here looks his best yet, and the Millennian/Orga is one of Godzilla’s more bizarre adversaries!
Although the public response to this film was surprisingly definite, I was rather downhearted to hear the same words that US critics faded to record Japanese SF films past, such as “cheesy” and “campy.” Although I don’t mind poking fun at Japanese SPFX, I fair wish they weren’t so meanspirited. Besides, ragged fashioned suitamation FX has been improving in Japanese films, especially with the wait on of CGI! You have to give them credit.
I was very gratified to sight this film in the theater (I saw the Japanese version later on), and that Tri-Star brought this film to the US, partially to apologize to the US fans for that American monstrosity! I assume it’s time for the US to like Japanese SPFX, and gain its fandom in the US.
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In short, I reccommend this movie! Sight for it, especially on DVD!
“Godzilla 2000,” is a correct narrative of monster preportions! This film surprised me – a upright G-fan in every sense of the term – with it’s first rate monster designes, it’s awsome musical come by (as profitable as Akira Ifukube even, especially his theme music!), and even some terrific computer effects work! (Stout surprise there!) The emphisis on Godzilla as an unstopable force-of-nature is taken to modern levels here (the opening scene is in my belief the highlight of the film, with ambitious camera angles and atmoushpere), and the villian monster Orga is agreeable in all of his different stages.
This movie has a mood to it, not seen since the unique – and “Godzilla 1985,” as the mountainous guy approaches land, everything stops – and is unbearably quiet (very eerie!) . It’s impartial like a tornado approaching, giving this film terrific realizm (yes, I know this is a Godzilla movie I’m talking about) . Another thing is the human side of things:
- The dubbing works nice here, very synced with the mouth movements. But it’s never, never going to be perfect.
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- I enjoyed the characters, more everyday kinds of people. The main hero and his daughter hurry a G observation network, shades of “Twister,” might be noticed here. And worthy humour is evident, like any regular domestic release, not unintentional, like in some of the early ’70’s entries.
All around, I LOVED “Godzilla 2000″ I recomend it to life-long fans, and even casual observers will salvage this allotment provocative. My popular of all time, along with the newer Heisei series (exellent by the intention, but “G-2000″ is simply on a whole other level) serves up exquisite action-packed entertainment.
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